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Updated: May 18, 2025
Francesco Mazzola, called Il Parmigianino, followed him so closely that his frescoes at Parma are hardly distinguishable from the master's; while Federigo Baroccio at Urbino endeavoured to preserve the sensuous and almost childish sweetness of his style in its integrity. But the real attraction of Correggio was only felt when the new barocco architecture called for a new kind of decoration.
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