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Updated: May 12, 2025
His alphabets, borders, illustrations of all sorts, continued to enrich the Basel press from this date, and were often borrowed by printers in other cities. In 1523 there came to Basel that masterly wood-cutter who has been already referred to, Hans Lützelburger. And from this time on, therefore, Holbein's designs may be seen in their true beauty.
Holbein, later on, was to obtain a yet more wonderful fidelity from Lutzelburger, the engraver of his Dunce of Death. Still it were misleading to suppose that Duerer's disregard for the facilities and limitations of wood-cutting went the lengths that the demands made upon modern skill have gone.
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