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Of the scrupulousness, the fastidiousness, the distinction, even, of Loeffler's work, there can be no question. He is not one of the music-making herd.
We are also going to revive Charles Martin Loeffler's Rhapsodies for viola, oboe and piano. "I have been for some time making a collection of sonatas a tre, two violins and 'cello delightful old things by Sammartini, Leclair, the Englishman Boyce, Friedemann Bach and others. This is material from which the amateur could derive real enjoyment and profit.
"The best thing I've ever heard said of octaves was Edison's remark to me that 'They are merely a nuisance and should not be played! I was making some records for him during the experimental stage of the disk record, when he was trying to get an absolutely smooth legato tone, one that conformed to Loeffler's definition of it as 'no breaks' in the tone.
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