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Updated: May 21, 2025
No hunting-trophies, no heads of slaughtered wild things disfigured the walls, as in most bungalows; but the flickering firelight showed pictures that inspired thought and carried lessons home pictures of toil and of repose, pictures of life, and love, and simple joy pictures of tragedy, of reality and deep significance. Here one saw Millet's "Sower," and "Gleaners" and "The Man with the Hoe."
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