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At the last moment of his trial and his misery alone at night in the alternate lurid blaze and murky gloom of his firing-house success is conquered: the secret is found. This climax, to which the preliminaries gradually and artfully lead, affords a great opportunity to an actor; and Willard greatly filled it. The old inventor has been bowed down almost to despair.
His drama is a forcible exposition of it. The Middleman was set upon Palmer's stage in such a way as to strengthen the dramatic illusion by the fidelity of scenery. The firing-house, with its furnaces in operation, was a copy of what may be seen at Worcester. The picture of English life was excellent.
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