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By the same action of his finger the pianist not only makes the note, but also gives its value; while the method of the organist is to neglect the element of finger-pressure and to rely upon other methods for imparting emphasis or softness to his work.
It seems not to be generally known that finger-pressure has much to do with tone-quality. The correct poise of the left hand, as conspicuously shown by Heifetz for instance, throws the extreme tips of the fingers hammerlike on the strings, and renders full pressure of the string easy.
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