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There is hardly a sentence without its 'point', an expression without a vivid fancy. There are unrivalled niceties. The abbot of the Abbatis et eruditae colloquium is a Molière character. It should be noticed how well Erasmus always sustains his characters and his scenes, because he sees them. In 'The woman in childbed' he never forgets for a moment that Eutrapelus is an artist.