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Updated: May 10, 2025
Both Gentile and Ghirlandaio chose a happy subject and made it happier; Fra Angelico (for the third screen picture) chose a melancholy subject and made it happy, not because that was his intention, but because he could not help it. He had only one set of colours and one set of countenances, and since the colours were of the gayest and the countenances of the serenest, the result was bound to be peaceful and glad. This picture is a large "Deposizione della Croce," an altar-piece for S. Trinit
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