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"Cher maître, I could not sleep last night, thinking of you," and she ended with "Your admirer and good friend, Coquillerosse," a nom de guerre she had adopted for her correspondence with the artist. She wrote in a disordered style, at unusual hours, just as her fancy and her abnormal nervous system prompted. At other times, there were only four brief, desperate lines. "Come at once, dear Mariano.
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