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Every year at Colonne's or Chevillard's we see his tall, thin silhouette reappear in the conductor's desk.
The fashion of inept fantasias and acrobatic variations has, it is true, gone by; but of late years virtuosity has returned in an offensive way, and, sheltering itself under the solemn classical name of "concertos," it usurped a place of rather exaggerated importance in symphony concerts, and especially in M. Chevillard's concerts a place which Lamoureux would never have given it.
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