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He tells us that in 1862 he went to Paris, after much preliminary skirmishing in Belgian reviews and magazines, to "learn his art" with Bracquemond and Jacquemart, both of whom he never ceased praising. He was associated with Daubigny, painter and etcher, and with Courbet, Flameng, and Thérond. He admired Calmatta and his school Bal, Franck, Biot, Meunier, Flameng.
She dominated Chopin, as she had dominated Jules Sandeau, Calmatta the mezzotinter, De Musset, Franz Liszt, Delacroix, Michel de Bourges I have not the exact chronological order and later Flaubert. The most lovable event in the life of this much loved woman was her old age affair purely platonic with Gustave Flaubert. The correspondence shows her to have been "maternal" to the last.
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