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Updated: May 26, 2025
In the case of The Tempest, Shakespeare plunged into the middle of the crisis because his object was to produce a philosophico-dramatic entertainment rather than a play in the strict sense of the word. He wanted room for the enchantments of Ariel, the brutishnesses of Caliban, the humours of Stephano and Trinculo all elements extrinsic to the actual story.
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