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Though born a Fleming and called a Florentine, his great fountain at Bologna, which is really a fine thing, has identified his fame with that city. Had not Ammanati's design better pleased Cosimo I, the Bologna fountain would be here, for it was designed for this piazza.
Ammanati's confession, on the contrary, betrays that schism between the conscience of Christianity and the lusts let loose by ill-assimilated sympathy with antique heathenism, which was a marked characteristic of the Renaissance. The coarser passions, held in check by ecclesiastical discipline, dared to emerge into the light of day under the supposed sanction of classical examples.
Nor would it be possible to invent a motive less in accordance with Greek taste than the conceit of Ammanati's fountain at Castello, where Hercules by squeezing the body of Antaeus makes the drinking water of a city spout from a giant's mouth.
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