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Updated: August 17, 2026
There is no spiritual kinship whatever between him and Millet. Dalou models the Marquis de Dreux-Brézé with as much zest as he does his "Boulonnaise allaitant son enfant;" his touch is as sympathetic in his Rubens-like "Silenus" as in his naturalistic "Berceuse." Furthermore, there is absolutely no note of melancholy in his realism which, at the present time, is a point well worth noting.
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