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But he who fails, fails. And he has failed enough to my loss and his own, for he blames himself so much that he cannot lift his eyes in Bologna. If you see Baccio d’Agnolo read him this letter and ask him to tell San Gallo, at Rome, and remember me to him and to Giovanni da Ricasoli, and to Granaccio give my respects.
And that this is true is proved by the fact that all the most celebrated sculptors and painters, who have lived from his day to our own, have become excellent and famous by exercising themselves and studying in this chapel namely, Fra Giovanni da Fiesole, Fra Filippo, Filippino, who finished it, Alesso Baldovinetti, Andrea dal Castagno, Andrea del Verrocchio, Domenico del Ghirlandajo, Sandro di Botticello, Leonardo da Vinci, Pietro Perugino, Fra Bartolommeo di San Marco, Mariotto Albertinelli, and the most divine Michelagnolo Buonarroti; likewise Raffaello da Urbino, who owed to this chapel the beginning of his beautiful manner, Granaccio, Lorenzo di Credi, Ridolfo del Ghirlandajo, Andrea del Sarto, Rosso, Franciabigio, Baccio Bandinelli, Alonso Spagnuolo, Jacopo da Pontormo, Pierino del Vaga, and Toto del Nunziata; and in short, all those who have sought to learn that art have ever gone to this chapel to learn and to grasp the precepts and the rules for good work from the figures of Masaccio.
This is obvious, for Aristotele da San Gallo worked there, as did Ridolfo Ghirlandajo, Raffaello Sanzio da Urbino, Francesco Granaccio, Baccio Bandinelli, and Alonso Berughetta, the Spaniard; they were followed by Andrea del Sarto, Franciabigio, Jacopo Sansovino, Rosso, Maturino, Lorenzetto, Tribolo, then a boy, Jacopo da Pontormo, and Pierin del Vaga: all of them first-rate masters of the Florentine school."
The first of these masters was Raffaello da Urbino, then a young man, and next came Andrea Sansovino, Filippino, Maiano, Cronaca, Antonio da San Gallo and Giuliano da San Gallo, Granaccio, and sometimes, but not often, Michelagnolo, with many young Florentines and strangers.
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