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The founder of this chapel was Ridolfo de' Bardi, whose family early in the fourteenth century bade fair to become as powerful as the Medici, and by the same means, their business being banking and money-lending, in association with the founders of the adjoining chapel, the Peruzzi.

Having taken possession of all the strong positions in the city, they assembled the people in the piazza and created a new balia, which, without delay, restored Cosmo and those who had been exiled with him to their country; and banished, of the opposite party, Rinaldo degli Albizzi, Ridolfo Peruzzi, Niccolo Barbadoro, and Palla Strozzi, with so many other citizens, that there were few places in Italy which did not contain some, and many others beyond her limits were full of them.

By reason of all which works, Ridolfo, finding himself sufficiently employed, and living comfortably with a good income, would by no means rack his brains to do all that he could have done in painting, but rather became disposed to live like a gentleman and take life as it came.

Ridolfo Peruzzi, moved by the discourse of the citizens, said, that all he desired was to prevent the return of Cosmo, and this being granted to them seemed a sufficient victory; nor would he, to obtain a greater, fill the city with blood; he would therefore obey the Signory; and accordingly went with his people to the palace, where he was received with a hearty welcome.

So much for Italian humour, which, you will see, does not lack flavour. It was only the insensate obtuseness of the gull which prevented Ugolino dying of laughter. Ridolfo was annoyed. "Give me cold iron to play with another time," he growled; "I am sick of your monkey-tricks." This hurt Ugolino a good deal, for it made him feel a fool.

Ridolfo did not disdain also to make pennons, standards, and other suchlike things in plenty, and I remember having heard him say that three times he had painted the banners of the Potenze, which used every year to hold tournaments and keep the city festive.

You must have a man drubbed if you want to laugh, and do your rogueries with a pleasant grin if you are inclined to heroism. Ridolfo, reading Selvaggia's sheaf of rhymes that night, was for running Master Cino through the body, jurist or no jurist; but Ugolino saw his way to a jest of the most excellent quality, and prevailed. He was much struck by the poet's preoccupation with his sister's eyes.

And so Vaga, having persuaded Ridolfo, Perino's master, and Andrea, who maintained him, so contrived that in the end he took Perino, with the companion, to Toscanella. There Perino began to work and to assist them, and they finished not only the work that Vaga had undertaken, but also many that they undertook afterwards.

And these qualities, although they come in great measure as gifts from nature, can also in part be acquired by study and art. These finished, as has been related in the Life of Ridolfo, they adorned with other pictures that holy place, which is very celebrated and renowned for the many miracles that are wrought there by the Virgin Mother of the Son of God.

This discourse excited the anger of the nobility to the highest pitch, and Ridolfo de' Bardi reproved him in unmeasured terms as a man of little faith; reminding him of his friendship for the duke, to prove the duplicity of his present conduct, and saying, that in driving him away he had acted the part of a traitor.