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The first of these masters was Raffaello da Urbino, then a young man, and next came Andrea Sansovino, Filippino, Maiano, Cronaca, Antonio da San Gallo and Giuliano da San Gallo, Granaccio, and sometimes, but not often, Michelagnolo, with many young Florentines and strangers.

We have just been discussing Benedetto da Maiano the sculptor. If we turn to the left on leaving S. Trinit

It was a certain lad of Prato, Michele by name, who, wandering in the wake of the great army in Palestine in 1096 at evening, by one of the wells of the desert, kissed the little daughter of a great priest, who gave him the Girdle of Madonna for love. Returning to Prato with this precious thing, and having nowhere to hide it, he put it, as a child might do, under his bed, and every night the angels for fear mounted guard about it. He died, and it came into the hands of a certain Uberto, a priest of the city; then, one tried to steal it, but he was put to death, and after, the Girdle was placed in the Duomo in a casket of ivory in a chapel of marble between the pillars of serpentine and lamps of gold. And Andrea Pisano carved a statue of Madonna, and they dressed her in silk and placed her on an altar, in which lay hidden the promise of spring. Then Ridolfo Ghirlandajo painted a fresco over the west door, of Madonna with her Girdle, and indeed they did all they knew in honour of their treasure: so that Mino da Fiesole and Rossellino made a pulpit and set it there in the nave, and there, too, you may see Madonna giving her Girdle to St. Thomas, and St. Stephen, the boy martyr, stoned to death, and other remembrances. In the south transept Benedetto da Maiano carved a Madonna and Child, while his brothers carved a Piet

Among other objects we note, 396, a fine bust of Filippo Strozzi by Benedetto da Maiano. We enter Room VI. The excellent bust of the Baptist, 383, by Desiderio da Settignano is officially assigned to Donatello, and the coloured Virgin and Child in wood to the Sienese Jacopo della Quercia.

The pulpit a fine specimen of fifteenth-century sculpture, carved by Benedetto da Maiano at the cost of Pietro Mellini, who presented it to the church is well worth close inspection; and close by, between the tombs of Lanzi and Leonardo Bruni, is a group in freestone, representing the Annunciation. This was one of the first of Donatello's works, and gave an earnest of his future genius.

Among the "Novelli," there is a quaint tale called "The Fat Ebony Carver," which is interesting to read in this connection. Benedetto da Maiano, one of the "most solemn" workers in intarsia in Florence, became disgusted with his art after one trying experience, and ever after turned his attention to other carving. Vasari's version of the affair is as follows.

In the fifth chapel of the left aisle is a Magdalen carved in wood by Desiderio da Settignano and finished by Benedetto da Maiano; while S. Trinit

Everywhere on these hills you find villas, and every villa has a garden, and every garden has a fountain, where all day long the sun plays with the slim dancing water and the contadine sing of love in the vineyards. Maiano itself is but a group of such places, among them a great villa painted in the manner of the seventeenth century, spoiled a little by modernity.

In the centre of the church was a partition-wall, with a door wrought in open-work from the middle upwards, on either side of which was an altar, while over either altar, as will be told, there stood a panel by the hand of Pietro Perugino. Over the said door was a most beautiful Crucifix by the hand of Benedetto da Maiano, with a Madonna on one side and a S. John on the other, both in relief.

On the way back to Florence in the tram, one passes on the right a gateway surmounted by statues of the poets, the Villa Poggio Gherardo, of which I have spoken earlier in the chapter. There is no villa with a nobler mien than this. That is one walk from Fiesole. Another is even more a sculptors' way: for it would include Maiano too, where Benedetto was born.