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Jacopo Sansovino, when Tribolo, now restored to health, went to work under him, was executing in the Office of Works of S. Maria del Fiore, in competition with Benedetto da Rovezzano, Andrea da Fiesole, and Baccio Bandinelli, the marble statue of S. James the Apostle which is still to be seen at the present day at that place together with the others.

Released from prison, Marc' Antonio finished engraving for Baccio Bandinelli a large plate that he had previously begun, with a great number of nude figures engaged in roasting S. Laurence on the gridiron, which was held to be truly beautiful, and was indeed engraved with incredible diligence, although Bandinelli, complaining unjustly of Marc' Antonio to the Pope while that master was executing it, said that he was committing many errors.

We have deferred to the end the mention of his family name, because it was not always the same, but varied, Baccio having himself called now De' Brandini, and now De' Bandinelli.

And when he had brought it to completion, and the model, together with many designs, had been carried by Bandinelli to Duke Cosimo, his most illustrious Excellency resolved in his regal mind to execute not only the altar, but also the ornament of marble that surrounds the choir, following its original octagonal shape, with all those rich adornments with which it has since been carried out, in keeping with the grandeur and magnificence of that temple.

There is a small wax model of this composition at South Kensington, attributed to Michael Angelo, which may be for this design. The Medici Government handed over the blocks to the craven Baccio Bandinelli, who produced the horrible work, representing the same subject, now in front of the Palazzo Vecchio.

Nor will I forbear to say that this Hall, in consequence of the roof having been raised twelve braccia, has gained not only height, but also an ample supply of windows, since, in addition to the others that are higher up, in each of those end walls are to be made three large windows, which will be over the level of a corridor that is to form a loggia within the Hall and to extend on one side over the work of Bandinelli, whence there will be revealed a most beautiful view of the whole Piazza.

It was taken to Paris by Napoleon, but was restored to its place in 1815. It is perfect in preservation, except that the right arm of Laocoön was wanting, which was restored by Baccio Bandinelli. This group is so perfect a work, so grand and so instructive for the student of the fine arts, that many writers of all nations have written on it.

Marco Sana was a fighting soldier, who stated what he knew, listened, and took his orders. Giulio Bandinelli was also little better than the lieutenant in an enterprise. Corte, on the other hand, had the conspirator's head, a head like a walnut, bulging above the ears, and the man was of a sallying temper.

Art can go no further than this. Art has risen above Nature, since Nature only gives her creatures a few brief years of life. Pons possessed one example of this immortal great genius and incurably indolent painter; it was a Knight of Malta, a Templar kneeling in prayer. The picture was painted on slate, and in its unfaded color and its finish was immeasurably finer than the Baccio Bandinelli.

Even after he had half done it, there was a moment when Michelangelo had an opportunity of taking over the stone and turning it into a Samson, but the siege of Florence intervened, and eventually Bandinelli had his way and the hideous thing now on view was evolved.