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And right truly does Lorenzo deserve to be praised, seeing that one day Michelagnolo Buonarroti, having stopped to look at this work, and being asked what he thought of it, and whether these doors were beautiful, answered: "They are so beautiful that they would do well for the gates of Paradise": praise truly appropriate, and given by an able judge.
"I have told you before I know nothing of the man," said Perugino, vexed, it appeared, at such wounding of his vanity to be new; "let me tell you this. There are fellows abroad who dub me dunce and dull-head. The young Buonarroti, forsooth, who mistakes the large for the great, quantity for quality; who in the indetermined pretends to see the mysterious. Mystery, quotha!
It is not improbable that Lodovico Buonarroti and his wife Francesca approached it from Pontassieve in Valdarno, crossing the little pass of Consuma, descending on the famous battle-field of Campaldino, and skirting the ancient castle of the Conti Guidi at Poppi. Every step in the romantic journey leads over ground hallowed by old historic memories.
Even supposing that Lodovico Buonarroti travelled from Florence by Arezzo to Caprese, many miles of rough mountain-roads must have been traversed by her on horseback.
When they had taken leave, and the discussion was as to the art of Titian, Buonarroti praised it highly, saying that the colour and handling pleased him much, but that it was a subject for regret that at Venice they did not learn from the very beginning to design correctly, and that its painters did not follow a better method in their study of art."
IV. Of such family, then, was Michael Angelo born; his father’s name was Lodovico di Leonardo Buonarroti Simoni, a good and religious man, somewhat old-fashioned. Michael Angelo was born to him whilst he was Podest
It appears from a letter written to Lionardo Buonarroti on February 15, 1564, that his old servant Antonio del Francese, the successor of Urbino in his household, together with Tommaso Cavalieri and Daniello Ricciarelli of Volterra, attended him in his last illness.
In answer to this despatch, news was sent to Giugni on the 20th that the Signory had signed a safe-conduct for Buonarroti. On the 22nd Granacci paid Sebastiano di Francesco, a stone-cutter, to whom Michelangelo was much attached, money for his journey to Venice.
The Buonarroti did not take his advice, but remained at Florence, enduring agonies of terror. It was a time when disaffection toward the Medicean princes exposed men to risking life and limb. Rumours reached Lodovico that his son had talked imprudently at Rome.
It so happened that an intimate Florentine friend of Buonarroti, the Baldassare Balducci mentioned at the end of his letter to Lorenzo di Pierfrancesco, was employed in Gallo's house of business. It is probable, therefore, that this man formed the link of connection between the sculptor and his new patron.
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