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Updated: June 19, 2025
But the Cartoon did not prove that Buonarroti was a practical wall-painter or colourist; and we have reason to believe that Julius had himself conceived the notion of intrusting the Sistine to his sculptor.
Thus green, for example, which is the first necessity towards the rendering of leaves and stems, did not exist in the colour repertory of the vase painter. The ceramic artist must thus have felt that with his limited scale of colours he could not produce the same natural effects as the wall-painter with his.
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