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Updated: May 18, 2025
The opening speech, which is in Shakespeare's juvenile manner an orotund, verbose manner, which perhaps he had caught from Marlowe, and which he outgrew and abandoned was thus utilised for displaying the character in a massed aspect, as that of a loathsome hypocrite and sanguinary villain; and, that being done, he was made to advance through about two-thirds of the tragedy, airily yet ferociously slaying everybody who came in his way, until at some convenient point, definable at the option of the actor, he was suddenly smitten with a sufficient remorse to account for his trepidation before and during the tent-scene; and thereafter he was launched into combat like a meteoric butcher, all frenzy and all gore, and killed, amid general acclamation, when he had fenced himself out of breath.
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