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Updated: May 28, 2025
Fanfani, who showed more zeal than courtesy in his destructive criticism, undertook to prove that Dino's style in general is not distinguished for the 'purity, simplicity, and propriety' of the trecento ; that it abounds in expressions of a later period, such as armata for oste, marciare for andare, acciò for acciocchè, onde for affinchè; that numerous imitations of Dante can be traced in it; and that to an acute student of early Italian prose its palpable quattrocentismo is only slightly veiled by a persistent affectation of fourteenth-century archaism.
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