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Updated: May 1, 2025
The direction of these strokes proves that Michelangelo worked equally with both hands, and the way in which they are hatched and crossed upon the marble reminds one of the pen-drawing of a bold draughtsman. The mere surface-handling of the stone has remarkable affinity in linear effect to a pair of the master's pen-designs for a naked man, now in the Louvre.
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