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She remembered Mascagni and his Cavalleria, Leoncavallo and his Pagliacci. And she was almost glad that Claude was unknown. At any rate, he had never made a mistake. That was something to be thankful for. He must never make a mistake. But there would be no harm in arousing a certain interest in his personality, in his work. A man like Jacob Crayford kept a sharp look-out for fresh talent.
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