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Updated: May 1, 2025
Compared with the rich, capricious, wilful, lingering by the way of Lamb's manner, Pater's is precise, demure and over-grave, Wilde's fantastic and over-provocative, Ruskin's intolerably rhetorical. Into what other prose style could the magic of Shakespeare's "little touches" be drawn, or the high melancholy of Milton's imagery be led, without producing a frightful sense of the incongruous?
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