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With Shakespeare, for example, imagination seems immanent in his very consciousness; with Milton, in his memory. In the one it sends, as if without knowing it, a fiery life into the verse, "Sei die Braut das Wort, Bräutigam der Geist"; in the other it elaborates a certain pomp and elevation. Accordingly, the bias of the former is toward over-intensity, of the latter toward over-diffuseness.
With Shakespeare, for example, imagination seems immanent in his very consciousness; with Milton, in his memory. In the one it sends, as if without knowing it, a fiery life into the verse, "Sei die Braut das Wort, Braeutigam der Geist"; in the other it elaborates a certain pomp and elevation. Accordingly, the bias of the former is toward over-intensity, of the latter toward over-diffuseness.
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