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Updated: May 23, 2025
Not as, in antiquity, at highest festival of Egypt, the noisome skeleton of death was sent on exhibition to the revelers, for zest and shadow to the occasion's joy and light but as the marble statue of the normal Greeks at Elis, suggesting death in the form of a beautiful and perfect young man, with closed eyes, leaning on an inverted torch emblem of rest and aspiration after action of crown and point which all lives and poems should steadily have reference to, namely, the justified and noble termination of our identity, this grade of it, and outlet-preparation to another grade.
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