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Updated: October 15, 2026
I also set L'Attente from Hugo's Orientales, and Ronsard's song, Mignonne, to music. I next stumbled on the idea of writing a grand bass aria with a chorus, for Lablache to introduce into his part of Orovist in Bellini's Norma. Lehrs had to hunt up an Italian political refugee to get the text out of him.