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Whoso would know the truth of the same, let him inquire for the modest studio of Morvillier, at Maiden, scarce a bowshot from our Boston. This picture had always been the ruling star of John's house, his main dependence for brightening up his bachelor apartments; and when he came to the task of furbishing those same rooms for a fair occupant, the picture was still his mine of gold.
Centre of hall, 887 and 888, recumbent statues of Charles IV. and Jeanne d'Évreux, fourteenth-century, by Jean de Liège. The tomb of Philippe de Morvillier, 420, in the recess of a window, is an example of early fifteenth-century acrolithic monumental sculpture; the head and hands of the figure being of marble according to a common custom dating from Greek times.
Whoso would know the truth of the same, let him inquire for the modest studio of Morvillier, at Malden, scarce a bow-shot from our Boston. This picture had always been the ruling star of John's house, his main dependence for brightening up his bachelor-apartments; and when he came to the task of furbishing those same rooms for a fair occupant, the picture was still his mine of gold.
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