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It implies His entire acceptance of the character which the crowd ascribed to Him, His pleasure in their praises, and, in a wider aspect, His vindication of outbursts of devout feeling, which shock ecclesiastical martinets and formalists. III. We see the sorrowing King plunged in bitter grief in the very hour of His triumph. Who can venture to speak of that infinitely pathetic scene?
Prince Frederick of Homburg is a dramatic glorification of the Prussian virtues of discipline and obedience. But the finely drawn characters of this play are by no means rigid martinets. They are largely, frankly, generously human, confessing the right of feeling as well as reason to direct the will.
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