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He also painted a panel in the Church of the Nunziata, without the Porta di S. Mammolo, representing the Madonna receiving the Annunciation from the Angel, with two figures on either side, which is held to be a very well executed work.
In an hour he had crossed the Ponte Mammolo, shuddering as he looked down through the deep gloom at the white foam of the Teverone, swollen with the winter rains.
His portrait was made by Galasso of Ferrara, very much his friend, who was painting at that time in Bologna in competition with Jacopo and Simone, painters of Bologna, and one Cristofano I know not whether of Ferrara, or, as others say, of Modena who all painted many works in fresco in a church called the Casa di Mezzo, without the Porta di S. Mammolo.
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