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Updated: May 3, 2025
The edges of certain parts are amplified, deformed, falsified, and we see that light-swept effect, that appearance as if of luminous emanations. This deformation, he declares, was practised by the great sculptors to snare the undulating appearance of life. Sculpture, he asserts, is the "art of the hole and the lump, not of clear, well-smoothed, unmodelled figures." Finish kills vitality.
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