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When Simon Nishikanta, huge and gross as in the flesh he was and for ever painting delicate, insipid, feministic water- colours, when he threw his deck-chair at Scraps for clumsily knocking over his easel, he found the ham-like hand of Grimshaw so instant and heavy on his shoulder as to whirl him half about, almost fling him to the deck, and leave him lame-muscled and black-and-blued for days.
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