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Updated: June 22, 2025
Mademoiselle Lejeuneux cultivated painting. It was at the house of this female artist, known afterwards as Madame La Chenaye, that Lacaille saw Bailly. The attentive, serious, and modest demeanour of the student charmed the great astronomer.
Robine's mild, bearded countenance, Clemence's serious profile, Charvet's fleshless pallor, Logre's hump, Gavard, Alexandre, and Lacaille, all entered into his life, and assumed a larger and larger place in it. He took quite a sensual enjoyment in these meetings.
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