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Updated: May 2, 2025
In rimeless lines of unequal length he celebrates the glory of God in the firmament, soars into celestial space and winds up with a vision of the last great cataclysm. All this is sufficiently Klopstockian, as is also the boyish dream of an epic about Moses, and of a tragedy to be called 'The Christians'.
Then he returns to earth and hears in the voices of evening a general symphony of praise. It is still the Klopstockian strain of magniloquent religiosity, tempered somewhat by the influence of Haller. In 'The Conqueror', a poem published in 1777, the Klopstockian note is still more audible.
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