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Then the guitar sounded fiercely, and several male voices began the sextette from "Lucia." Johnny's reedy tenor they knew well, and the bricklayer's big, opaque barytone; the others might be anybody over there just Mexican voices. Then at the appointed, at the acute, moment, the soprano voice, like a fountain jet, shot up into the light. "HORCH! HORCH!" the old people whispered, both at once.
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