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Nor need it be brutally banged; the fundamental tone must be cared for, the subsidiary harmonies lightly indicated. The rubato in the valses need not obtrude itself as in the mazurkas. Opus 18, in E flat, was published in June, 1834, and dedicated to Mile. Laura Harsford. It is a true ballroom picture, spirited and infectious in rhythms. Schumann wrote rhapsodically of it.
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