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After the beautiful convention of Byzantium had passed away, and Gruamone and Adeodatus had carved at Pistoja, Biduinus at S. Cassiano, Robertus at Lucca, Bonamicus and Bonannus at Pisa, and Guido da Como again at Pistoja, in the work of Niccolò Pisano at Pisa we come upon the first thought of the Renaissance, the reliefs of the pulpit in the Baptistery, in which the Middle Age seems to have passed over the work of Antiquity almost like a caress.
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