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The only Elizabethan drama which really represents the Italy of the Renaissance is the comedy of Shakespeare, of Beaumont and Fletcher, and of Ben Jonson and Massinger: to the Renaissance belong those clear and sunny figures, the Portias, Antonios, Gratianos, Violas, Petruchios, Bellarios, and Almiras; their faces do we see on the canvases of Titian and the frescoes of Raphael; they are the real children of the Italian Renaissance.
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