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Updated: August 1, 2026
S. Agnes, with her lamb by her side, is placed on a pilaster towards the southern door. This and S. Margaret are especially graceful and expressive. There is much of the feeling of Correggio, but with more natural grace and less voluptuousness. The cutting and retouching had injured them greatly, but in 1835 Antonio Garazalli took off the repainting and restored them more delicately.
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