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Updated: June 7, 2025
Harmonic heights are reached on the second page surely Wagner knew these bars when he wrote "Tristan and Isolde" while the ingenuity of the figure and avoidance of a rhythmical monotone are evidences of Chopin's feeling for the decorative. It is a masterly prelude. Klindworth accents the first of the bass triplets, and makes an unnecessary enharmonic change at the sixth and seventh lines.
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