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Updated: May 11, 2025
Probably the built-up nose of Coquelin as Cyrano de Bergerac will be thrown in my face; it must, however, be remembered, that apart from his large elastic mouth Coquelin's face was rather wooden, and he relied for expression chiefly on voice, mouth, gesture and movement.
His most direct reference at that season was to the principal pastry-cook's of the town, an establishment we then found supreme for little criss-crossed apple tartlets and melting babas young Coquelin's home life amid which we the more acutely envied that the upward cock of his so all-important nose testified, for my fancy, to the largest range of free familiar sniffing.
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