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By the rule which would attribute to Shakespeare every line written in his first manner which appeared during the first years of his poetic progress, it is hard to say what amount of bad verse or better, current during the rise and the reign of their several influences, for this kind of echo or of copywork, consciously or unconsciously repercussive and reflective, begins with the very first audible sound of a man's voice in song, with the very first noticeable stroke of his hand in painting it is hard to say what amount of tolerable or intolerable work might not or may not be assignable by scholiasts of the future to Byron or to Shelley, to Mr.
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