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The song described the struggle of Osman Bairactar with Michael, a Servian chief, and, as it was explained to me, called up successive images of a war of extermination, with its pyramids of ghastly trunkless heads, and fields of charcoal, to mark the site of some peaceful village, amid the blaze of which its inhabitants had wandered to an eternal home in the snows and trackless woods of the Balkan.
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