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Updated: June 16, 2025
These two canvases of Aristotile's, because of his having taken them bodily from that place, were little extolled; but, on the other hand, he was well praised for all that he did in Florence for the entry of Pope Leo, making, in company with Francesco Granacci, a triumphal arch opposite to the door of the Badia, with many scenes, which was very beautiful.
For these reasons, therefore, Perino intended to value that prospect-view of Aristotile's at so little, that he would have to repent of having done it.
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