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Updated: August 6, 2024
Orpheus sympathized in his wrath which reached its climax when, on looking for two statues, of Demeter and of Pallas Athene, of which Karnis had spoken to his son as decorating the gateway of one of the finest houses in the city, they beheld instead, mounted on the plinths, two coarsely-wrought images of the Lamb with its Cross.
Orpheus sympathized in his wrath which reached its climax when, on looking for two statues, of Demeter and of Pallas Athene, of which Karnis had spoken to his son as decorating the gateway of one of the finest houses in the city, they beheld instead, mounted on the plinths, two coarsely-wrought images of the Lamb with its Cross.
Orpheus sympathized in his wrath which reached its climax when, on looking for two statues, of Demeter and of Pallas Athene, of which Karnis had spoken to his son as decorating the gateway of one of the finest houses in the city, they beheld instead, mounted on the plinths, two coarsely-wrought images of the Lamb with its Cross.
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