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Updated: May 21, 2025
And yet, of this work an English critic wrote, on its first London presentation: "Bellini has soared too high; there is nothing of grandeur, no touch of true pathos in the common-place workings of his mind. He cannot reach the opera semiseria; he should confine his powers to the musical drama, the one-act opera buffa." But the history of art-criticism is replete with such instances.
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