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Updated: May 12, 2025
The antithesis indispensable in opera is emphatically presented in a noble recitative, such as a Gluck might have composed, between Bertram and Robert: "Tu se sauras jamais a quel exces je t'aime. "In that diabolical C minor, Bertram, with his terrible bass, begins his work of undermining which will overthrow every effort of the vehement, passionate man. "Here, everything is appalling.
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