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Updated: July 16, 2025
We engrave, as an illustration of this, one of the compartments of the “Rosenkranztafel,” preserved in the same locality, and representing the “Nativity.” The Virgin in the stable at Bethlehem, piously rejoices in the birth of the Lord, and is about to wrap the sacred infant in the folds of her own garments, having no other clothing.
He returned to his native city, however, in 1496, and worked there for the rest of his life. A delicate specimen of his craft is the Rosenkranztafel, a wood carving in the Germanic Museum, which exhibits medallions in relief, representing the Communion of Saints, with a wreath of roses encircling it.
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