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Updated: May 29, 2025
The masonry is no longer covered, but carved, rendered uneven with the cavities and protrusions of perspective. In Mantegna's frescoes the wall becomes a slanting theatre scene, cunningly perspectived like Palladio's Teatro Olimpico; with Correggio, wall, masonry, everything, is dissolved, the side or cupola of a church becomes a rent in the clouds, streaming with light.
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